Joan Miró： Painting and Anti-Painting 1927-1937 米罗作品集1927-1937 pdf 免费 地址 txt lrf 下载 kindle umd

Taking Joan Miro's notorious declaration of 1927--"I want to assassinate painting"--as its point of departure, this richly illustrated volume is the first to focus on Miro the "anti-painter," identifying the core practices and strategies the artist used to challenge painting between 1927 and 1937. Joan Miro: Painting and Anti-Painting 1927-1937 surveys the various material, iconographical and rhetorical forms of Miro's attacks on painting by presenting, in chronological sequence, 12 distinct series of works, beginning with a remarkable group of paintings on unprimed canvas and concluding with Miro's return to Realism in "Still Life with Old Shoe" (1937). Acidic color, grotesque disfigurement, stylistic heterogeneity and the use of resistant, ready-made materials are among the key tactics of aggression that are explored in this extraordinary presentation of the interrelated and oppositional series of paintings, collages, objects and drawings Miro produced during this crucial decade of his long career. This volume integrates close scrutiny of Miro's materials and processes with historical and iconographic ***ysis, leading to an expanded understanding of the underappreciated aggressiveness of an artist long regarded as Surrealism's most lyrical painter-poet.

Foreword

Preface and Acknowledgments

Miro the Assassin

The Language of Materials

1 Paintings ou Unprimed Canvas,1927

2 Spanish Dancers and Portrait of a Dancer,1928

3 Dutch Interiors and Imaginary Portraits,1928-1929

4 Collages,1929

5 Large Paintings on White Grounds,1930

6 C***tructi*** and Objects,1930-1932

7 Paintings Based on Collages,1933

8 Drawing-Collages,1933-1934

9 Pastels on Flocked Paper,1934

10 Paintings on Cardboard and Object(Object of Sunset),1935-1936

11 Small Paintings on Masonite and Copper,1935-1936

12 Paintings on Masonite,1936

13 Still Life with Old Shoe,1937

Catalogue

References

Trusteed of The Museum of Modern Art

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作者简介：

Anne Umland is curator in the Department of Painting and Sculpture at The Museum of Modern Art, New York.

书籍介绍

Taking Joan Miro's notorious declaration of 1927--"I want to assassinate painting"--as its point of departure, this richly illustrated volume is the first to focus on Miro the "anti-painter," identifying the core practices and strategies the artist used to challenge painting between 1927 and 1937. Joan Miro: Painting and Anti-Painting 1927-1937 surveys the various material, iconographical and rhetorical forms of Miro's attacks on painting by presenting, in chronological sequence, 12 distinct series of works, beginning with a remarkable group of paintings on unprimed canvas and concluding with Miro's return to Realism in "Still Life with Old Shoe" (1937). Acidic color, grotesque disfigurement, stylistic heterogeneity and the use of resistant, ready-made materials are among the key tactics of aggression that are explored in this extraordinary presentation of the interrelated and oppositional series of paintings, collages, objects and drawings Miro produced during this crucial decade of his long career. This volume integrates close scrutiny of Miro's materials and processes with historical and iconographic ***ysis, leading to an expanded understanding of the underappreciated aggressiveness of an artist long regarded as Surrealism's most lyrical painter-poet.

Joan Miro was born in 1893 in Barcelona. After his first trip to Paris in 1920, and through 1931, Miro generally spent half of each year in the French capitol and half in his native Catalonia, returning to live in France after the outbreak of the Spanish Civil War in 1936. One of the twentieth century's greatest Modern artists, Miro created a pictorial world of intense imaginative power, in which visionary and cosmic elements are inextricably intertwined with the earthly and mundane. He died in 1983 in Palma de Mallorca, Spain.