美国版画珍品展 AMERICAN PRINTS 1905-1950: PRESSED IN TIME pdf 免费 地址 txt lrf 下载 kindle umd

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内容简介:
The first half of the 2oth century was an extraordinarily vibrant moment in the history of American print***. Overall, the era marked great changes in the visual arts, and prints recorded concurrent shifts in social and cultural behavior. A new group of social real- ists, some of whom were members of the so-called Ash- can School, began to adopt the life of the streets as their primary subject in prints as well as paintings. At the same time, printmakers began to explore modernist aesthetics, particularly after the Armory Show of 1913. Gradually, artists who came to be called Regionalists focused on rural life as the subject for their prints. America offered limitless opportunities for the imaginati*** of printmakers. In turn, they captured this exciting phase of United States history with dynamic, innovative work.
Pressed in Time: American Prints 1905-1950 explores
this vital period by presenting rarely seen material from the Huntington Art Collecti*** and from the private collecti*** of Hannah S. Kully and Gary, Brenda, and Harrison Ruttenberg. Both the Kully and Ruttenbergcollecti*** are promised gifts to the Huntington. The publ.ication includes an introduction by Jessica Todd Smith. discussing the history of American prints at the Huntington; short essays by Kevin M. Murphy focusing on specific images and themes; 54 plates; and 5 illustra-ti***. The 82 artists represented in the checklist pro- duced works that are as visually striking and technically superb as they are deeply imbued with political and social engagement.
This book was published in conjunction with the exhibition Pressed in Time: American Prints 1905-1950 at the Huntington Library; Art Collecti***, and Botanical Gardens, October 6, 2007 through ]a.nuary 7, 2oo8.
The project has been made possible by a generous contribution from Steve Martin.
书籍目录:
Acknowledgments
American Prints and the Huntington Art Collection
Envisioning the City
The Mood and Atmosphere of the City
Public Life and Entertainment in the City
Public Transportation and Labor
Getting By in Hard Times
Intimate Moments and Small Tdwn Life
Farms and Farming
Desperation and Flight
The California Landscape
World War II
Prints as Illustrati*** and Advertising
Checklist of the Exhibition
Glossary of Terms
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Jessica Todd Smith is the Virginia Steele Scott Curator of American Art at the Huntington Library, Art Collecti***, and Botanical Gardens. She received her Ph.D. from Yale Uni- versity, where she worked with the collecti*** at the Yale Centerfor British Art and the Yale University Art Gallery. Prior to her graduate studies, she earned her B.A. from Harvard University and worked in the Department of Prints, Drawings, and P***o- graphs at the Museum of Fine Arts, Boston. At the Huntington, Dr. Smith co-curated the exhibition Edward Weston: A Legacy (2oo3) and contributed to the book of the same title.
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This volume chronicles the development of print*** in America through the first half of the twentieth century. During this period of dramatic social and cultural change, print*** served artists as a cost-effective means of communicating their observati*** and ideas. Woodcuts, etchings, and lithographs - many illustrated here - by artists such as Thomas Hart Benton, Childe Hassam, Edward Hopper, John Sloan, and Grant Wood addressed a variety of themes, including urbanization, small-town life, the Great Depression, the California landscape, and the two World Wars.The skysc***r, for instance, became a prime subject, admired for its roots in American architecture as well as its associati*** with national power. Prints frequently portrayed the city's inhabitants, often in crowded spaces where the distincti*** between public and private life might become uncomfortably blurred. Depicti*** of the Depression of the 1930's suggest pessimism about the prospects for social justice in a capitalistic economy. Other prints *** a heroic conception of industry and an idealized view of life in the nation's agrarian heartland.
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