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'Two things give Kitto's classic book its enduring freshness: he pioneered the approach to Greek drama through internal artistry and thematic form, and he always wrote in lively and readable English.' - Oliver Taplin, University of Oxford, UK Why did Aeschylus characterize differently from Sophocles? Why did Sophocles introduce the third actor? Why did Euripides not make better plots? So asks H.D.F Kitto in his acclaimed study of Greek tragedy, available for the first time in Routledge Classics. Kitto argues that in spite of dealing with big moral and intellectual questi***, the Greek dramatist is above all an artist and the key to understanding classical Greek drama is to try and understand the tragic conception of each play. In Kitto's words 'We shall ask what the dramatist is striving to say, not what in fact he does say about this or that.' Through a brilliant ***ysis of Aeschylus's 'Oresteia', the plays of Sophocles including 'Antigone' and 'Oedipus Tyrannus'; and Euripides's 'Medea' and 'Hecuba', Kitto skilfully conveys the enduring artistic and li***ry brilliance of the Greek dramatists. H.D.F Kitto (1897 -- 1982) was a renowned British classical scholar. He lectured at the University of Glasgow from 1920-1944 before becoming Professor of Greek at Bristol University, where he taught until 1962.

FOREWORD TO THE ROUTLEDGE CLASSICS

EDITION EDITH HALL

PREFACE

NOTE TO THE THIRD  EDITION

Lyrical Tragedy

Old Tragedy

The 'Oresteia'

The Dramatic Art of Aeschylus

Middle Tragedy: Sophocles

The Philosophy of Sophocles

The Dramatic Art of'Sophocles

The Euripidean Tragedy

The Technique of the Euripidean Tragedy

The 'Trachiniae'and the 'Philoctetes'

New Tragedy: Euripides' Tragi-comedies

New Tragedy: Euripides' Melodramas

Two Last Plays

INDEX

　　H.D.F Kitto (1897 – 1982) was a renowned British classical

scholar. He lectured at the University of Glasgow from 1920-1944

before becoming Professor of Greek at Bristol University, where he

taught until 1962.

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    Review

　　'Two things give Kitto's classic book its enduring freshness: he

pioneered the approach to Greek drama through internal artistry and

thematic form, and he always wrote in lively and readable English.'

- Oliver Taplin, University of Oxford, UK

　　Product De*ion

　　With a new foreword by Edith Hall

　　'Two things give Kitto's classic book its enduring freshness: he

pioneered the approach to Greek drama through internal artistry and

thematic form, and he always wrote in lively and readable English.'

- Oliver Taplin, University of Oxford, UK

　　Why did Aeschylus characterize differently from Sophocles? Why

did Sophocles introduce the third actor? Why did Euripides not make

better plots? So asks H.D.F Kitto in his acclaimed study of Greek

tragedy, available for the first time in Routledge Classics.

　　Kitto argues that in spite of dealing with big moral and

intellectual questi***, the Greek dramatist is above all an artist

and the key to understanding classical Greek drama is to try and

understand the tragic conception of each play. In Kitto’s words ‘We

shall ask what the dramatist is striving to say, not what in fact

he does say about this or that.’ Through a brilliant ***ysis of

Aeschylus’s ‘Oresteia’, the plays of Sophocles including ‘Antigone’

and ‘Oedipus Tyrannus’; and Euripides’s ‘Medea’ and ‘Hecuba’, Kitto

skilfully conveys the enduring artistic and li***ry brilliance of

the Greek dramatists.

　　H.D.F Kitto (1897 – 1982) was a renowned British classical

scholar. He lectured at the University of Glasgow from 1920-1944

before becoming Professor of Greek at Bristol University, where he

taught until 1962.

书籍介绍

'Two things give Kitto's classic book its enduring freshness: he pioneered the approach to Greek drama through internal artistry and thematic form, and he always wrote in lively and readable English.' - Oliver Taplin, University of Oxford, UK Why did Aeschylus characterize differently from Sophocles? Why did Sophocles introduce the third actor? Why did Euripides not make better plots? So asks H.D.F Kitto in his acclaimed study of Greek tragedy, available for the first time in Routledge Classics. Kitto argues that in spite of dealing with big moral and intellectual questi***, the Greek dramatist is above all an artist and the key to understanding classical Greek drama is to try and understand the tragic conception of each play. In Kitto's words 'We shall ask what the dramatist is striving to say, not what in fact he does say about this or that.' Through a brilliant ***ysis of Aeschylus's 'Oresteia', the plays of Sophocles including 'Antigone' and 'Oedipus Tyrannus'; and Euripides's 'Medea' and 'Hecuba', Kitto skilfully conveys the enduring artistic and li***ry brilliance of the Greek dramatists. H.D.F Kitto (1897 -- 1982) was a renowned British classical scholar. He lectured at the University of Glasgow from 1920-1944 before becoming Professor of Greek at Bristol University, where he taught until 1962.